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The Jury of the 68th Festival de Cannes

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Joel Coen and Ethan Coen, directors, screenwriters and producers, will be the two Presidents of the Jury of the 68th Festival de Cannes.

This year they will be joined by seven key figures in world cinema from Canada, Spain, the United States, France, Mali, Mexico and the United Kingdom.

The Jury will thus be made up of nine distinctive voices – four women and five men – each with the same voting rights.

Their task will be to decide among the films in Competition and select the prize winners, culminating in the Palme d’or, which will be announced on stage during the Festival Closing Ceremony on Sunday 24th May.

Joel & Ethan Coen– Presidents
(Directors, Writers, Producers – United States)

Rossy de Palma (Actress – Spain)

Sophie Marceau (Actress, Director – France)

Sienna Miller (Actress – United Kingdom)

Rokia Traoré (Composer, Singer-songwriter – Mali)

Guillermo del Toro (Director, Writer, Producer – Mexico)

Xavier Dolan (Director, Writer, Producer, Actor – Canada)

Jake Gyllenhaal (Actor – United States)


Rossy de Palma
Actress – Spain
She is an icon of Spanish cinema and Pedro Almodóvar’s muse: she inspired his 1986 film Law of Desire, performed in Women on the Verge of a Nervous Breakdown, Tie Me Up! Tie Me Down!, Kika and The Flower of my Secret (nominated for two Goya Awards), and Broken Embraces (Official Selection: 2009 Festival de Cannes). She rose to international acclaim in the early 1990s with directors like Robert Altman, Mike Figgis, Patrice Leconte and Mehdi Charef. She is set to appear in Pedro Almodóvar’s next film.

Sophie Marceau
Actress, Director – France
After winning a Cesar for Best “Espoir” at the age of 16 for Claude Pinoteau’s La Boum 2, her career grows with success in both mainstream and author cinema. Films include Police by Maurice Pialat, and L’Amour braque by Andrzej Żuławski. She achieved international acclaim for Mel Gibson’s Braveheart (1995) and Bond movie – The World Is Not Enough (1999). Other notable credits include Don’t Look Back directed by Marina de Van – presented at the Festival de Cannes in 2009. With a career of over 40 films, she has also written and directed two feature films, Parlez-moi d’amour (2002) et La Disparue de Deauville (2007).

Sienna Miller
Actress – United Kingdom
Experienced in both theater and cinema, she first gained recognition with her role in Matthew Vaughn’s Layer Cake (2004). She performed on Broadway in “Cabaret” by Sam Mendes. She starred in Foxcatcher by Bennett Miller which debuted at the 2014 Festival de Cannes and American Sniper by Clint Eastwood. She recently finished filming High Rise by Ben Wheatley.

Rokia Traoré
Composer, Singer-songwriter – Mali
The inimitable Mali-born musician and singer Rokia Traoré has charted a distinctive course between tradition and modernity. Influenced by a nomadic childhood spent between Europe, the Middle East and Mali, the first CD by this singer songwriter with the captivating voice, Mouneïssa (1998), was highly acclaimed. In Wanita (2000), Bowmboï (2003), Tchamantché (2008) and Beautiful Africa (2013), Rokia Traoré drew on unprecedented combinations of instruments such as the balafon, the n’goni, the electric guitar and drums. Her openness to wide-ranging artistic collaborations is ample proof that music is her only continent.

Guillermo del Toro
Director, Writer, Producer - Mexico
Guillermo del Toro is one of the most inventive among the new generation of Mexican directors, alongside Alfonso Cuarón and Alejandro González Iñárritu. Del Toro, who started out as a make-up artist and special effects specialist, now lives in the United States. His filmography boasts a rich array of distinctive and flamboyant works shot through with fantasy and imagination, from Mimic, The Devil’s Backbone and Blade II to Hellboy. Guillermo del Toro presented Cronos, his first feature film, in a parallel section at Cannes. Pan’s Labyrinth was selected in Competition in 2006.

Xavier Dolan
Director, Writer, Producer, Actor – Canada
After shooting his first feature film, I Killed My Mother, at 20, he directed Heartbeats and Laurence Anyways, both of which received an enthusiastic reception when selected for Un Certain Regard at the Festival de Cannes. Tom at the Farm was shown at the Venice Film Festival, where he was awarded the FIPRESCI Prize. His latest film Mommy has garnered the Jury Prize at last year’s Festival de Cannes and the César for Best Foreign Feature. Xavier Dolan is now working on his next feature, The Death and Life of John F. Donovan.

Jake Gyllenhaal
Actor, United States
Jake Gyllenhaal was raised in a family of artists and made his cinema debut aged 11. He came to public attention in 2001 in Richard Kelly’s Donnie Darko and built a career composed of both independent films and blockbusters. Considered one of Hollywood’s increasingly bankable stars, he appeared in Jarhead by Sam Mendes, then Ang Lee’s Brokeback Mountain (Golden Lion in Venice) and in Zodiac by David Fincher, selected at the Festival de Cannes in 2007. He has recently appeared in two thrillers directed by Denis Villeneuve: Prisoners and Enemy along with Dan Gilroy’s Nightcrawler.




Call for submissions: 13th Annual Regent Park Film Festival

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The deadline for submissions for this years Regent Park Film Festival is fast approaching! Be sure to submit your film before Friday, June 12th 2015 for it to be considered. We would greatly appreciate if you could share this information with your networks via newsletters, listervs and/or social media. Please see below for details.

The 13th Annual Regent Park Film Festival – Call For Submissions is Now Open!

Regent Park Film Festival is Toronto’s only free-of-charge, multi-cultural, film festival dedicated to showcasing the best local and international film and video works. The stories we celebrate resonate with the inner city, community-driven, trans-national, transient context of Regent Park, as well as with other similar communities all over the world.

The Regent Park Film Festival is in its 13th year of connecting community and film to present a unique festival experience for audiences and filmmakers alike. All activities at the Regent Park Film Festival are free-of-charge; we provide free childcare and pay artist fees.

The 13th Annual Regent Park Film Festival will take place Nov 18th – 21st, 2015.

How can I submit?
For guidelines on how to submit, visit our website: http://regentparkfilmfestival.com/film-submissions/.

Deadline for submissions?
Please submit your film by Friday, June 12th 2015 (No Entry Fee).

Thank you,

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Regent Park Film Festival
585 Dundas Street East, Suite 240 | Toronto, ON | M5A 2B7 | (416) 599-7733

Website | Facebook | Twitter

TIFF announces 4th edition of All-Time Top Ten List of Canadian Films

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TIFF today announces the results of its fourth Canada’s All-Time Top Ten List, an international poll of industry and academics‎ on the most memorable Canadian films. This is the fourth edition of TIFF’s All-Time Top Ten List; previous lists were released in 1984, 1993 and 2004.

“In our 40th year we are celebrating our national cinema by revisiting the list of top Canadian films, with help from our esteemed colleagues in the industry and academia,” said Piers Handling, Director and CEO, TIFF. “It is encouraging to see new filmmakers and films establishing themselves on the list alongside the classics.”

“With more than a decade since our last survey, much has changed in Canadian cinema, and in the results of the survey,” said Steve Gravestock, Senior Programmer, TIFF. “Atanarjuat has dethroned the long-standing No. 1 film, Mon once Antoine, and we welcome filmmakers including Guy Maddin, Jean-Claude Lauzon, Sarah Polley and Jean-Marc Vallée to the list for the first time. It’s an exciting group of films indicative of our rich cinematic tradition.”

Canada’s All-Time Top Ten List of Canadian films:

1. Atanarjuat: The Fast Runner, Zacharias Kunuk (2001)
2. Mon oncle Antoine, Claude Jutra (1971)
3. The Sweet Hereafter, Atom Egoyan (1997)
4. Jésus de Montréal, Denys Arcand (1989)
5. Léolo, Jean-Claude Lauzon (1992)
6.Goin’ Down the Road, Don Shebib (1970)
7. Dead Ringers, David Cronenberg (1988)
8. C.R.A.Z.Y., Jean-Marc Vallée (2005)
9. My Winnipeg, Guy Maddin (2007)
10. Stories We Tell, Sarah Polley (2012) / Les Ordres, Michel Brault (1974)

“The Directors Guild of Canada takes pride in shining the spotlight on our national cinema at every opportunity,” said Tim Southam, National President, DGC. “The filmmakers featured here have contributed much to our country’s cultural voice and history. It is inspiring to be able to experience them again with a new generation of viewers.”

The films on the All-Time Top Ten List will be screened free of charge at TIFF Bell Lightbox in July and August. Screening times and more details will be announced May 20.

The upcoming issue of Montage magazine, published by the DGC, is available April 24, and includes individual participants’ votes alongside essays on each of the selected films.



Social Media:
Facebook.com/TIFF
@TIFF_NET

About TIFF
TIFF is a charitable cultural organization whose mission is to transform the way people see the world, through film. An international leader in film culture, TIFF projects include the annual Toronto International Film Festival in September; TIFF Bell Lightbox, which features five cinemas, major exhibitions, and learning and entertainment facilities; and innovative national distribution program Film Circuit. The organization generates an annual economic impact of $189 million CAD. TIFF Bell Lightbox is generously supported by contributors including Founding Sponsor Bell, the Province of Ontario, the Government of Canada, the City of Toronto, the Reitman family (Ivan Reitman, Agi Mandel and Susan Michaels), The Daniels Corporation and RBC. For more information, visit tiff.net.

2015 WGC Screenwriting Awards - winners

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The WGC Screenwriting Awards, hosted by Ryan Belleville, took place Monday night at Koerner Hall in Toronto. It was an evening of celebrating the work of WGC members (and a great party).

In the Movies & Miniseries category, the winner was Nicolas Billon for his script for the film Elephant Song which was directed by Charles Binamé and stars Bruce Greenwood, Colm Feore, Xavier Dolan, Catherine Keener, Carrie-Anne Moss and Guy Nadon.

The winner for TV Drama was Orphan Black's Tony Elliott while the TV Comedy winner was Andrew De Angelis for Mr. D.


Complete list of winners for the 2015 WGC Screenwriting Awards

Animation
Fangbone, Season 1
“The Warbrute of Friendship”
Written by Simon Racioppa & Richard Elliott

Children & Youth
R.L. Stine’s The Haunting Hour, Season 4
“Mrs. Worthington”
Written by Melody Fox

Documentary
The Cholesterol Question
Written by Michael McNamara

Movies & Miniseries
Elephant Song
Written by Nicolas Billon

Shorts & Webseries
Out With Dad, Season 3
“Outed ”
Written by Jason Leaver

TV Comedy
Mr. D, Season 3
“Old School”
Written by Andrew De Angelis

TV Drama
Orphan Black, Season 2
“Ipsa Scientia Potestas Est”
Written by Tony Elliott

SPECIAL AWARDS
Showrunner Award - Bruce Smith
Sondra Kelly Award - Alison Lea Bingeman
Writers Block Award - Denis McGrath

Keep On Keepin' On - An Evening in Honour of Clark Terry, with Performance by Justin Kauflin

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KEEP ON KEEPIN' ON: AN EVENING IN HONOUR OF CLARK TERRY
AT THE BLOOR HOT DOCS CINEMA ON MAY 11—ONE NIGHT ONLY!
FEATURING A PERFORMANCE BY JUSTIN KAUFLIN

Hot Docs Canadian International Documentary Festival and The Royal Conservatory of Music are honouring the legacy of the late jazz trumpeter Clark Terry with a magnificent evening filled with music and film. The night kicks off with a screening of Hot Docs 2014 Top Ten Audience Favourite, KEEP ON KEEPIN' ON (D: Alan Hicks, USA, 2014, 84 min, PG), followed by a performance and Q&A, on Monday, May 11, at the Bloor Hot Docs Cinema (506 Bloor Street West).

Legendary jazz trumpeter Clark Terry played alongside Charlie Barnet, Count Basie and Duke Ellington, and mentored a young Miles Davis and Quincy Jones. At 93 he continued to leave his indelible mark, working with the next generation of young and emerging musicians. KEEP ON KEEPIN' ON is a powerful story about Terry and his mentorship of Justin Kauflin, a 23-year-old blind piano prodigy, which celebrates the wonder of music, perseverance and friendship.

As a tribute to Terry, film subject Justin Kauflin will perform a few selections following the screening. Terry’s close friend Kelly Peterson (wife of Oscar Peterson) and goddaughter Celine Peterson (daughter of Oscar Peterson) will participate in a post-screening Q&A with Mervon Mehta, Executive Director, Performing Arts, The Royal Conservatory of Music.


KEEP ON KEEPIN' ON screening date and time:
Monday, May 11 6:30 p.m.

Tickets are $18 each (Bloor members: $15, $13, Free). Tickets can be purchased at the Bloor Hot Docs Cinema box office (506 Bloor St. W.) or online at www.bloorcinema.com.

Hot Docs, North America’s largest documentary festival, conference and market, will present its 22nd annual edition from April 23–May 3, 2015. An outstanding selection of 210 documentaries from Canada and around the world will be presented to Toronto audiences and international delegates. Hot Docs will also mount a full roster of conference sessions and market events and services for documentary practitioners, including the renowned Hot Docs Forum, Hot Docs Deal Maker and The Doc Shop. In partnership with Blue Ice Group, Hot Docs operates the Bloor Hot Docs Cinema, a century-old landmark located in Toronto’s Annex neighbourhood. For more information, please visit www.hotdocs.ca.

The Royal Conservatory of Music is one of the largest and most respected music and arts education institutions in the world. Providing the definitive standard of excellence in music education through its curriculum, assessment, performance, and teacher education programs, The Conservatory has had a substantial impact on the lives of millions of people globally. In addition, the organization has helped to train a number of internationally celebrated artists including Glenn Gould, Oscar Peterson, David Foster, Sarah McLachlan, Angela Hewitt, and Diana Krall. Motivated by its powerful mission to develop human potential through music and the arts, The Royal Conservatory has emerged over the last two decades as a leader in the development of arts-based programs that address a wide range of social issues. For more information, please visit www.rcmusic.ca.


2015 Hot Docs Awards – winners

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HOT DOCS AWARDS TOP HONOURS TO HAIDA GWAII: ON THE EDGE OF THE WORLD AND THE CLOSER WE GET
$61,000 IN CASH AND PRIZES GIVEN TO FESTIVAL FILMS AND FILMMAKERS


Hot Docs is pleased to announce this year’s award-winning Festival films and filmmakers. The Hot Docs Awards Presentation, hosted by Garvia Bailey, host of Good Morning Toronto! on Jazz.FM91, took place on Friday, May 1, at the Shangri-La Hotel, Toronto. Twelve awards and $61,000 in cash and prizes were presented to Canadian and international filmmakers, including awards for Festival films in competition and those recognizing emerging and established filmmakers.

The Best Canadian Feature Documentary Award was presented to HAIDA GWAII: ON THE EDGE OF THE WORLD (D: Charles Wilkinson; P: Charles Wilkinson, Tina Schliessler; Canada), the story of Aboriginal rights activists, newcomer ecologists and quirky islanders uniting to create a sustainable healing community in the beautiful Haida Gwaii. Sponsored by the Documentary Organization of Canada, the award includes a $10,000 cash prize courtesy of Hot Docs. Jury statement: “We were impressed by the stunning cinematography, the depth of the characters and the beautiful presentation that spoke not just to this gripping story but also to the universal message of how we as a society treat and exploit indigenous people.” HAIDA GWAII: ON THE EDGE OF THE WORLD screens again on Saturday, May 2, at 8:15 p.m. at the TIFF Bell Lightbox, and Sunday, May 3, at 7:00 p.m. at the Hart House Theatre.

The Special Jury Prize – Canadian Feature Documentary was presented to THE AMINA PROFILE (D: Sophie Deraspe; P: Isabelle Couture; Canada), the story of an online love affair turned international thriller about identity. Sponsored by the Directors Guild of Canada and DGC Ontario, the award includes a $5,000 cash prize courtesy of Hot Docs. Jury statement: “The Amina Profile took what was a news story and turned it into an emotional thriller. Sophie Deraspe created a documentary film of unexpected twists that keeps audiences on the edge of their seats.”

The Emerging Canadian Filmmaker Award, sponsored by Panicaro Foundation, is given to a first or second-time Canadian filmmaker with a feature film in the Canadian Spectrum program. The award includes a $5,000 cash prize courtesy of Panicaro Foundatio and was presented to director Ryan Mullins for CHAMELEON (Canada), which follows a Ghanaian investigative journalist famous for using undercover disguises and unorthodox detective methods. Jury statement: “Ryan Mullins took us into a world few see and somehow made an identity for a character whose face we never view. The courage and integrity to create such a film while balancing roles as director, producer and cinematographer is extraordinary.”

The Best International Feature Documentary Award was presented to THE CLOSER WE GET (D: Karen Guthrie; P: Karen Guthrie, Nina Pope; UK), a sharply focused snapshot of strained family dynamics. Sponsored by Panicaro Foundation, the award includes a $10,000 cash prize courtesy of Panicaro Foundation. Jury statement: “In a story told with unflinching honesty and written with poetic precision, this film exemplifies cinematic craft, and a generosity of approach resulting in admirable subtlety and nuance. First person filmmaking is notoriously difficult to pull off and that is why we are delighted to award the prize for Best International Feature to The Closer We Get.”

The Special Jury Prize – International Feature Documentary was presented to THE LIVING FIRE (D: Ostap Kostyuk; P: Daniil Vulitsky; Ukraine), the story of three generations of shepherds struggling with change as the contemporary world begins to encroach on their remote community. Sponsored by A&E, the award includes a $5,000 cash prize courtesy of Hot Docs. Jury statement: “The jury felt that this film combined painterly cinematography with an attentive and empathetic gaze, a sophisticated evocative sound design, and accomplished and often playful editing.” THE LIVING FIRE screens again on Saturday, May 2, at 6:30 p.m. at Innis Town Hall.

In the Special Jury Prize – International Feature Documentary category, the jury gave an honourable mention to HOT SUGAR’S COLD WORLD (D: Adam Lough; P: Adam Lough; Hunter Stephenson; USA). Jury statement: “For a film which captures the millennial spirit, reveals a unique artistic process, challenges the orthodoxy and inspires audiences to be more original.”

The Emerging International Filmmaker Award, sponsored by Panicaro Foundation, was presented to director Evangelia Kranioti for EXOTICA, EROTICA, ETC. (France), the story of a former prostitute lyrically recalling her encounters with lonely sailors. The award includes a $5,000 cash prize courtesy of Panicaro Foundation. Jury statement: “For an assured directorial vision, an artful sensibility and a bold and elegant approach consummately executed, the award for Emerging International Filmmaker goes to Evangelia Kranioti for her film Exotica, Erotica, Etc.EXOTICA, EROTICA, ETC. screens again on Saturday, May 2, at 9:30 p.m. at Scotiabank Theatre.

The award for Best Mid-Length Documentary was presented to WARRIORS FROM THE NORTH (D: Søren Steen Jespersen, Nasib Farah; P: Helle Faber; Denmark), which gives chilling insight into what fuels the current trend of Western Muslim youth joining radical groups abroad. The award includes a $3,000 cash prize courtesy of Hot Docs. Jury statement: “We chose this film for the way it skillfully weaves complex story lines from multiple perspectives without losing its visual poetry; ultimately delivering a shocking, immediate and personal film that transcends recent headlines.”

In the Best Mid-Length Documentary category, the jury also acknowledged the film LANZMANN (D: Adam Benzine; P: Adam Benzine, Kimberley Warner; UK, Canada) with an honourable mention. Jury statement: “An honourable mention for delivering a devastating insight into what it takes to be an artist.”

The Best Short Documentary Award was presented to TERRITORY (D: Eleanor Mortimer; P: Eleanor Mortimer, Jacob Thomas; UK), a compelling and melodic look at the territorial nature of humans and primates. The award includes a $3,000 prize courtesy of Hot Docs. Jury statement: “The jury was astounded by this subversive play on the form of a nature film which allows us to look at urban life from a non-human point of view. The film, which works on multiple levels, is a testament to the filmmaker’s extraordinary patience.” Hot Docs is an Academy Award® qualifying festival for short documentaries and, as winner of the Best Short Documentary Award, TERRITORY will qualify for consideration in the Documentary Short Subject category of the annual Academy Awards without the standard theatrical run, provided it complies with Academy rules.

In the Best Short Documentary category, the jury also acknowledged the film HOW TO CROSS (FROM JILIZ TO JILIZ) (D: Sona Kocharyan, Marine Kocharyan; P: Sona Kocharyan, Marine Kocharyan; Armenia) with an honourable mention. Jury statement: “The complexities of geo-politics are reflected in one girl’s road trip in this lyrical film from a rarely represented or seen country.”

The Lindalee Tracey Award, which honours an emerging Canadian filmmaker with a passionate point of view, a strong sense of social justice and a sense of humour, was presented to Yosef Baraki for his film MINA WALKING. The recipient received a $5000 cash prize courtesy of the Lindalee Tracey Fund, $5000 in post-production services from Technicolor, and a beautiful hand-blown glass sculpture by Andrew Kuntz, specially commissioned to honour Lindalee.

The Hot Docs Board of Directors acknowledged Patricio Guzmán as the recipient of the 2015 Hot Docs Outstanding Achievement Award.

Toronto-based Anne Pick, producer of A DIFFERENT DRUMMER: CELEBRATING ECCENTRICS, was presented with the Don Haig Award, which is given to an outstanding independent Canadian producer with a film in the festival in recognition of his/her creative vision, entrepreneurship and track record for nurturing emerging talent. The award came with a $5,000 cash prize courtesy of the Don Haig Foundation.

Earlier in the week, Takahiro Hamano, senior producer in the programming department for NHK, received the 2015 Doc Mogul Award at a special luncheon.

The 2015 awards for films in competition were determined by four juries.

The Canadian Feature Documentary Jury: Ally Derks (Founder, International Documentary Film Festival Amsterdam), Michelle Shephard (Toronto Star’s award-winning National Security correspondent, author and filmmaker), John Zaritsky (Director, A DIFFERENT DRUMMER: CELEBRATING ECCENTRICS, Hot Docs 2015).

The International Feature Documentary Jury: Malika Zouhali-Worrall (Director, THANK YOU FOR PLAYING, Hot Docs 2015), Tabitha Jackson (Director of the Documentary Film Program at Sundance Institute in Los Angeles), Alison Klayman (Director, THE 100 YEARS SHOW, Hot Docs 2015).

The Mid-Length Jury: Ben Fowlie (Founder and Executive Director, Camden International Film Festival and Points North Documentary Forum), Josh Braun (Co-President, Submarine), Jeanie Finlay (Director, ORION: THE MAN WHO WOULD BE KING, Hot Docs 2015).

The Shorts Jury: Jessica Edwards (Director, MAVIS!, Hot Docs 2015), Rodney Ascher (Director, THE NIGHTMARE, Hot Docs 2015), Matt Wolf (Director, IT’S ME, HILARY: THE MAN WHO DREW ELOISE).

The Vimeo On Demand Audience Award and audience top 20 favourite films of the 2015 Festival, determined by audience ballot, will be announced on Monday, May 4. Also announced on this day is the Filmmaker-to-Filmmaker Award, determined by ballots cast by Hot Docs 2015 filmmakers.

Hot Docs (www.hotdocs.ca), North America’s largest documentary festival, conference and market, will present its 22nd annual edition from April 23–May 3, 2015. An outstanding selection of 210 documentaries from Canada and around the world will be presented to Toronto audiences and international delegates. Hot Docs will also mount a full roster of conference sessions and market events and services for documentary practitioners, including the renowned Hot Docs Forum, Hot Docs Deal Maker and The Doc Shop. In partnership with Blue Ice Group, Hot Docs operates the Bloor Hot Docs Cinema, a century-old landmark located in Toronto’s Annex neighbourhood.

Hot Docs wraps its 22nd edition with record-breaking audience numbers reaching an estimated 200,500

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UNBRANDED NAMED VIMEO ON DEMAND AUDIENCE AWARD WINNER AND
WELCOME TO LEITH WINS FILMMAKER-TO-FILMMAKER AWARD

Hot Docs has wrapped its 22nd edition with record-breaking audience numbers reaching an estimated 200,500. The 11-day event featured 452 public screenings of 210 films on 17 screens across Toronto, an internationally renowned conference and market for documentary professionals, and Docs For Schools, a phenomenally popular education program for youth. The Festival welcomed more than 300 guest filmmakers and subjects from across Canada and around the world to present their films and take part in special post-screening Q&A sessions with audiences. Official film selections were chosen from a total of 2724 films submitted to the Festival.

At the Festival, Hot Docs presented the third edition of the Scotiabank Big Ideas series, featuring screenings and live onstage discussions with prominent documentary subjects, including Grammy-nominated comedian Tig Notaro, charismatic former Premier of Newfoundland and Labrador Danny Williams, journalist Andy Greenberg, the parents of DEEP WEB subject Ross Ulbricht, Ex-Fugee Pras Michel, Olympic Gold Medal–winning hockey player Charline Labonté, former Major League Baseball player Billy Bean, and American college football player Conner Mertens. This year also saw the launch of the DOCX program, which featured a virtual reality installation of four short films and an interactive live performance launching the final chapter of the NFB’s acclaimed HIGHRISE digital documentary series.

“This year's Top 20 showcases, again, that there is a passionate appetite for diverse and smart documentary programming—and we're happy to note the list includes no shortage of outstanding director-driven Canadian docs,” says Hot Docs executive director Brett Hendrie. “Congratulations to the UNBRANDED team and indeed all the filmmakers at this year's festival, who were thrilled by Toronto's incredible audiences, who once again proved their appreciation for documentary films is unmatched.”

After the final screening yesterday, audience votes were tallied for the Vimeo On Demand Audience Award. The winner is UNBRANDED (D: Phillip Baribeau, USA), the story of four young men on an adventure of a lifetime— traversing desert to mountain, they ride over 3000 miles from Mexico to Canada on adopted wild mustangs. Second in the audience poll is LOWDOWN TRACKS (D: Shelley Saywell, Canada), which follows five transient musicians who busk for change on Toronto’s streets; and third in the audience poll is THE MESSENGER (D: Su Rynard; Canada, France), a stunning look at the songbirds' plummeting population.

The top 20 audience favourites as determined by audience vote are:
1. UNBRANDED (D: Phillip Baribeau, USA)
2. LOWDOWN TRACKS (D: Shelley Saywell, Canada)
3. THE MESSENGER (D: Su Rynard; Canada, France)
4. MY LOVE, DON’T CROSS THAT RIVER (D: Moyoung Jin, South Korea)
5. RADICAL GRACE (D: Rebecca Parrish, USA)
6. HOW TO CHANGE THE WORLD (D: Jerry Rothwell; UK, Canada)
7. FRACTURED LAND (D: Damien Gillis, Fiona Rayher; Canada)
8. OMO CHILD: THE RIVER AND THE BUSH (D: John Rowe, USA)
9. WHAT HAPPENED, MISS SIMONE? (D: Liz Garbus, USA)
10. FRAME BY FRAME (D: Mo Scarpelli, Alexandria Bombach; USA)
11. MAVIS! (D: Jessica Edwards; Canada, USA)
12. ATTACKING THE DEVIL: HAROLD EVANS AND THE LAST NAZI WAR CRIME (D: Jacqui Morris, David Morris; UK, Canada)
13. THE BARKLEY MARATHONS: THE RACE THAT EATS ITS YOUNG (D: Timothy Kane, Annika Iltis; USA)
14. SPEED SISTERS (D: Amber Fares; Palestine, USA, Qatar, Denmark, UK, Canada)
15. TRANSFATTY LIVES (D: Patrick O'Brien, USA)
16. TIE: MUSIC LESSONS (D: Michael Mabbott, Canada) and NO PLACE TO HIDE: THE REHTAEH PARSONS STORY (D: Rama Rau, Canada)
18. ALL THE TIME IN THE WORLD (D: Suzanne Crocker, Canada)
19. SURVIVORS ROWE (D: Daniel Roher, Canada)
20. FINDING MACPHERSON (D: Serge Giguère, Canada)

Also during this year’s Hot Docs Festival, attending filmmakers with official selections in the Festival were invited to vote for their favourite film. The winner of this year’s Filmmaker-To-Filmmaker Award is WELCOME TO LEITH (D: Michael Beach Nichols, Christopher K. Walker; USA), a real-life horror story that unfolds in the near-deserted town of Leith, North Dakota, when a dangerous white supremacist attempts to buy up land in a plot to establish a community of neo-Nazis.

A full week of industry programming was attended by 2474 delegates from around the world. Hot Docs mounted a roster of five workshops, 12 conference sessions, 38 networking events and parties, three Kickstart panels for emerging filmmakers, 11 micro meetings, 16 Close Up With… sessions with broadcasters, 15 Rent-an-Expert sessions, the Doc Summit, International Co-Production Day panels, and the Hot Docs Awards Presentation. Hot Docs also hosted a record 12 official delegations from Catalonia, Chile, China, Colombia, Germany, India, Italy, the Nordic Region, Northern Ireland, South Africa, South Korea and the USA.

The Hot Docs Forum, Hot Docs’ key international co-financing market event, Hot Docs Deal Maker, Hot Docs’ one-on-one curated pitch event, and Distribution Rendezvous, Hot Docs’ tailored meeting service for completed films seeking distribution, saw brisk pitching, networking and deal-making. In total, 19 projects representing 15 countries were presented to a panel of over 300 key commissioning editors and funders at the Hot Docs Forum, and a total of 50 projects were pitched at approximately 535 meetings during Hot Docs Deal Maker.

Doc For Schools, Hot Docs’ education program that runs during the Festival and offers free in-theatre and in-school screenings of select Festival films, reached a record number of students in 2015. An estimated 87,000 students participated in the program, including schools in Toronto and throughout Ontario. Selected by student ballot from among 10 Docs For Schools selections that screened at the Bloor Hot Docs Cinema during the Festival, the winner of the inaugural Docs for Schools Students’ Choice Award is T-REX (D: Zackary Canepari, Drea Cooper; USA), the story of boxing phenomenon Claressa “T-Rex” Shields.

Hot Docs (www.hotdocs.ca), North America’s largest documentary festival, conference and market, presented its 22nd annual edition from April 23–May 3, 2015. An outstanding selection of 210 documentaries from Canada and around the world were presented to Toronto audiences and international delegates. Hot Docs also mounted a full roster of conference sessions and market events and services for documentary practitioners, including the renowned Hot Docs Forum, Hot Docs Deal Maker and The Doc Shop. In partnership with Blue Ice Group, Hot Docs operates the Bloor Hot Docs Cinema, a century-old landmark located in Toronto’s Annex neighbourhood.

40th Toronto International Film Festival announces its programmers

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Piers Handling, Director and CEO of TIFF, and Cameron Bailey, Artistic Director of the Toronto International Film Festival, reveal the team of 22 programmers who will make the selections for the 40th Toronto International Film Festival, which runs Thursday, September 10 through Sunday, September 20, 2015.

Piers Handling
Europe, City to City: London, Special Presentations, Gala Presentations
Handling is the Director and Chief Executive Officer of TIFF. He has held this position since 1994, and is responsible for leading both the operational and artistic growth of the organization. Under Handling’s direction, TIFF has grown to become an internationally renowned cultural institution. He has curated numerous film retrospectives, presented programmes of Canadian cinema, sat on festival juries all around the world, and has published extensively on Canadian cinema. In 2013, Handling co-curated a multi-platform celebration of iconic Canadian director David Cronenberg, the exhibition component of which is currently touring to cultural institutions worldwide. In 2014, Handling was invested into the Order of Ontario, the province’s highest official honour.

Cameron Bailey
Western Europe, South Asia, the Caribbean, USA, City to City: London, Special Presentations, Gala Presentations
Bailey is the Artistic Director of the Toronto International Film Festival. Since 2008 he has been responsible for the overall vision and execution of the Festival’s selection. Bailey began programming for the organization in 1990, and worked both as a film programmer and film critic for 20 years before taking on his current role. As a programmer and curator, he has organized film series for local and international festivals and galleries including the National Gallery of Canada and Australia’s Sydney International Film Festival.

Michèle Maheux
Ireland, the Netherlands, Special Presentations, Gala Presentations
Celebrating her 27th Festival this September, Maheux is the Executive Director and Chief Operating Officer for TIFF, where she is responsible for all business operations of the $44-million cultural charity — including TIFF Bell Lightbox, the organization’s year-round home. She has been a member of provincial, municipal, industry and arts organization committees, and has served as a juror at international film festivals and as a mentor within the industry. In 2011 she was recognized by WXN among the Top 100 Most Powerful Women in Canada and in 2012 she was awarded, with Piers Handling, the Queen Elizabeth II Diamond Jubilee Medal. She is Vice Chair of the Board of Governors of Ryerson University and is a Director of the Movie Theatre Association of Canada.

Kerri Craddock
Belgium, Special Presentations, Gala Presentations
Craddock is the Director of Programming for the Festival. She joined the organization in 2007 and regularly represents the Festival at the Sundance, Berlin and Cannes film festivals. Craddock served on the jury for the 2013 Philadelphia Film Festival Feature Documentary Competition, the Canada’s Top Ten Film Festival features panel in 2012, and on the National Ballet of Canada’s Turnout Cabinet from 2011 to 2014. She will speak on a panel at the 2015 Cannes festival discussing Swedish films.

Jesse Wente
Wente is the Director of Film Programmes at TIFF, overseeing new releases, series and TIFF Cinematheque programming and scheduling, as well as TIFF’s national distribution program Film Circuit. Some of his contributions to programming since the opening of TIFF Bell Lightbox in 2010 include retrospectives on Roman Polanski, Paul Verhoeven, Ousmane Sembène, Oscar Micheaux, Studio Ghibli and Robert Altman. Prior to his role as Director, Wente served as one of the Canadian features programmers for the Toronto International Film Festival, and also programmed for the imagineNATIVE Film and Media Festival.

Jason Anderson
Short Cuts
Anderson is co-programmer for the Festival’s Short Cuts programme. He has written about film and the arts for a wide variety of Canadian and international publications, and was a long-time film critic and columnist for The Grid and its predecessor Eye Weekly. He contributes regularly to such publications as Cinema Scope, Sight & Sound, Uncut, Montage, POV, the Toronto Star and the National Post. He teaches criticism and feature writing at the University of Toronto and Ryerson University, and has been the Director of Programming for the Kingston Canadian Film Festival since 2010. Anderson sat on the jury for the Festival’s Best Canadian Feature Film award in 2014, and previously served on competition juries including the Canada’s Top Ten Film Festival, the Canadian Screen Awards, Hot Docs, Reel Asian, the Toronto Jewish Film Festival and the Images Festival.

Brad Deane
TIFF Cinematheque
Deane is a Senior Manager of Film Programmes at TIFF and part of the programming team for TIFF Cinematheque, which selects and presents the classics of world cinema and contemporary art-house films year-round at TIFF Bell Lightbox. Since 2012, Deane has led the curation of the TIFF Cinematheque programme for the Festival, which showcases recent restorations and preserved archival prints from the history of Canadian and international cinema. In 2013, he sat on the jury for the Best Short Film Discovery Award at the 52nd edition of La Semaine de la Critique.

Dimitri Eipides
Eastern and Central Europe, Western and Central Asia, Greece
Eipides has been with the Festival since 1988. His extensive programming career began when he established the Independent Filmmakers Cooperative in Montreal in 1969. In 1971, Eipides founded the Festival International du Nouveau Cinéma et de la Vidéo de Montréal, where he served as Director until 1994. In 1992 he began his tenure as Artistic Director of the New Horizons section of the Thessaloniki International Festival in Greece, and in 1999 he founded the Thessaloniki Documentary Festival – Images of the 21st Century, for which he still acts as Director. He was named General Director of the Thessaloniki International Film Festival in 2010. In June he’ll receive a special citation by the Ambassador of Canada in Athens recognizing his contributions to Canada-Greece relations.

Giovanna Fulvi
East and Southeast Asia
Fulvi has been programming for the Festival since 2002. She is based in Italy, where she works as a programming consultant for the Rome Film Festival, and has served as a film consultant and acquisitions manager for various organizations over the past 19 years, including the International Film Festival Rotterdam and the Torino Film Festival. Fulvi is currently the Head of Acquisitions for Filmauro in Rome. She also worked on Bernardo Bertolucci’s The Last Emperor as a historical and cultural researcher.

Colin Geddes
Midnight Madness, Vanguard
A programmer with the Festival since 1998, Geddes’ additional programming efforts have included the Asian rep theatre Golden Classics Cinema, TIFF Cinematheque, FantAsia Toronto, and ActionFest in Asheville, North Carolina, where he served as Festival Director for two years. In 2004 he founded Ultra 8 Pictures, using his strong understanding of international festivals and genre cinema to help filmmakers and bring offbeat international films to Canada and the world. Together with his wife Katarina Gligorijević, Geddes currently programs The Royal, a restored art deco cinema in downtown Toronto.

Steve Gravestock
Canada, the Philippines, Nordic Region
Gravestock has selected Canadian feature films for the Festival since 2004, and previously programmed films from India, Australia, and the Netherlands. As a Senior Programmer at TIFF he is responsible for the organization’s year-round Canadian programming initiatives, including the Canada’s Top Ten Film Festival and the year-round Canadian Open Vault programme featuring homegrown classics. Gravestock also oversees TIFF’s ongoing series of monographs on Canadian films and filmmakers.

Danis Goulet
Short Cuts
Goulet is co-programmer for the Festival’s Short Cuts programme. She is the former Artistic Director of the imagineNATIVE Film + Media Arts Festival, and has curated award-winning short film commissioning projects. She has developed initiatives for the Ontario Arts Council, served on the boards of the Toronto Arts Council and the Images Festival, and is a former programming committee member for the CFC Worldwide Short Film Festival. Goulet’s works as a filmmaker have screened at numerous festivals in Canada and around the world, including the Toronto International Film Festival, Berlinale, imagineNATIVE and the Sundance Film Festival. She is an alumnus of the TIFF Talent Lab and the National Screen Institute’s Drama Prize Program.

Michael Lerman
Primetime
Lerman joined the Festival in 2013 and is the programmer for the Festival’s new Primetime programme which presents the best in international television on the big screen. Since 2010, he has been the Artistic Director of the Philadelphia Film Society, and currently serves as the Senior Programmer for the Stanley Film Festival. Previously, he has programmed for the Woodstock Film Festival, the Montclair Film Festival and Fantastic Fest. Lerman is the co-founder of the independent production company Tiger Industry Films.

Kathleen McInnis
Short Cuts
McInnis joined the Festival’s programming team in 2014 and is co-programmer for Short Cuts. She is a film strategist with a background in film festivals and publicity consulting. A veteran of the global film festival circuit, she has programmed for the Seattle International Film Festival and served as Festival Director for the Slamdance Film Festival and the Palm Springs International ShortFest. McInnis currently teaches film festival strategies at the University of California, Los Angeles, and has guest lectured at the University of Southern California, New York University’s Tisch/Asia (Singapore), Brooklyn College and Columbia College Chicago film schools. She is a member of BAFTA-LA, Australians in Film, and Film Independent.

Elizabeth Muskala
TIFF Kids
As the Director of Youth Learning, Muskala oversees all aspects of the organization’s extensive year-round programming for children, youth, educators, families and TIFF’s charitable initiatives. She is lead programmer and facilitator of the TIFF Kids International Film Festival, the TIFF Next Wave Film Festival, TIFF Kids selections at the Toronto International Film Festival, and co-curator of digiPlaySpace, an award-winning interactive media exhibition for children.

Andréa Picard
Wavelengths
Picard has worked for TIFF since 1999, and was a member of the TIFF Cinematheque programming team for 12 years. Since 2006 she has curated Wavelengths, the Festival’s critically acclaimed avant-garde programme. As an independent writer and curator, she has collaborated with local and international institutions such as Le Centre Pompidou, Vienna’s Belvedere and MAK museums, the 25FPS festival in Zagreb, and the Secession. Picard has sat on juries for numerous organizations and festivals worldwide. She currently sits on the Advisory Board of the Images Festival, and is a former Board Member of Art Metropole.

Thom Powers
TIFF Docs
Powers has served as an International Documentary Programmer for the Festival since 2006. He created and leads the Festival’s Doc Conference, and for nine years he programmed the Mavericks discussion series hosting cinematic innovators. Powers also oversees programming for the digital streaming service SundanceNOW Doc Club, and programs for the Miami International Film Festival. He and his wife, Raphaela Neihausen, serve as directors of DOC NYC, run the weekly documentary screening series Stranger than Fiction at Manhattan’s IFC Center, and helped start the New Jersey–based Montclair Film Festival, which they ran for three years. Powers teaches documentary producing at the School of Visual Arts, and previously taught for 12 years at New York University.

Rasha Salti
Africa, the Middle East
Salti, an independent film and visual-arts curator and writer, joined the Festival in 2011. She served as a film programmer and creative director for the New York–based ArteEast, where she directed two editions of the biennial CinemaEast Film Festival. She has collaborated with a number of organizations, including the Musée Jeu de Paume in Paris, and the Tate Modern in London. Salti was one of the co-curators of the 10th edition of the Sharjah Biennial for the Arts in 2010. In February 2015, she co-curated the exhibition Past Disquiet; Ghosts and Narratives from the International Art Exhibition for Palestine (Beirut, 1978), which was inaugurated at the Museum of Contemporary Art in Barcelona (MACBA).

Diana Sanchez
Spain, Portugal, Latin America
Sanchez has worked with the Festival since 2002. She is also active with a variety of other festivals and cinematic presentations, serving as the Artistic Director for the International Film Festival Panama, and a programme consultant for the Miami International Film Festival, where she co-created the Encuentros programme, an initiative that helps fund films in post-production. She also programs Latin Wave with the PROA Foundation in Argentina, a series that screens internationally. Sanchez has served on the jury for the Ecuadorian Ministry of Culture Film Fund, the Havana Film Festival and the script-development fund at the Colombian Ministry of Culture.

Jane Schoettle
Australia, New Zealand, Israel, Germany, USA
Having worked with TIFF since 2002, Schoettle is the founder and former director of the TIFF Kids International Film Festival (formerly Sprockets). She has participated in numerous film residency programmes, including the South Australian Film Corporation at the Adelaide Film Festival and Screen Australia in Sydney, and served most recently on the jury for the Jerusalem Film Lab. Schoettle also works as an independent script consultant and programmes American Independents for the Miami International Film Festival.

Magali Simard
Canada
Simard is the Manager of Film Programmes at TIFF, working on new releases, TIFF Cinematheque, the Human Rights Watch Film Festival and ongoing film series. Bringing her experience in the Canadian film industry and deep knowledge of Quebec cinema, she sits on the programming team for the Toronto International Film Festival’s Canadian feature films. She co-programmed the Festival’s Short Cuts Canada section for five years. Simard has served on juries for the Berlinale Teddy Awards, Rio de Janeiro’s Curta Cinema, the Festival du Nouveau Cinema and the Sundance Film Festival.

Shane Smith
Short Cuts
Smith serves as the Director of Special Projects for TIFF, and oversees the Festival’s Short Cuts programme. Since joining TIFF in 2010, he is responsible for a variety of year-round initiatives such as TIFF in the Park and the touring digiPlaySpace digital exhibition. In his prior role as Director of Public Programmes, Smith oversaw the TIFF Kids International Film Festival and the TIFF Next Wave Film Festival. He has previously programmed for Inside Out and the Sundance Film Festival, and he was director of the CFC Worldwide Short Film Festival from 2001 to 2005.

Social Media:
@TIFF_NET
#TIFF15
Facebook.com/TIFF

About TIFF
TIFF is a charitable cultural organization whose mission is to transform the way people see the world, through film. An international leader in film culture, TIFF projects include the annual Toronto International Film Festival in September; TIFF Bell Lightbox, which features five cinemas, major exhibitions, and learning and entertainment facilities; and innovative national distribution program Film Circuit. The organization generates an annual economic impact of $189 million CAD. TIFF Bell Lightbox is generously supported by contributors including Founding Sponsor Bell, the Province of Ontario, the Government of Canada, the City of Toronto, the Reitman family (Ivan Reitman, Agi Mandel and Susan Michaels), The Daniels Corporation and RBC. For more information, visit tiff.net.

2015 Billboard Music Awards – winners

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The Billboard Music Awards held their ceremony Sunday night at the MGM Grand in Las Vegas.

25 year old singer-songwriter Taylor Alison Swift was the evening's biggest winner, taking a total of eight awards. After premiering her “Bad Blood” music video at the top of the show, she went on to win for Top Artist, Top Female artist, Billboard Chart Achievement Award, Top Billboard 200 Album, Top Billboard 200 Artist, Top 100 Hot Artist, Top Digital Songs Artist and Top Streaming Song (Video). Going into the night, she had been nominated for a total of 14 awards.

In accepting her award for Top Female Artist, she thanked “all the girls I talk to on the Internet and we talk about your feelings and you teach me your teen slang.” When she later received the Top Streaming Song (Video) Award, she added, “Honestly, the fans -- I’m obsessed with you. You guys are the reason this year has happened the way that it's happened.”

Sam Smith, Iggy Azalea and Pharrell trailed well behind with three awards. One Direction, Hozier, Jason Aldean, Enrique Iglesias and John Legend each picked up a pair of prizes.

The evening ended with Kanye West being introduced by his sisters-in-law, Kendall Jenner and Kylie Jenner, who were booed while introducing his performance for his latest single "All Day" and "Black Skinhead." West's performance was ultimately cut from the broadcast and was also booed.


Complete list of winners for the 2015 Billboard Music Awards

TOP ARTIST
Ariana Grande
One Direction
Katy Perry
Sam Smith
Taylor Swift -- WINNER

TOP COUNTRY ARTIST
Jason Aldean
Luke Bryan
Florida Georgia Line -- WINNER
Brantley Gilbert
Blake Shelton

BILLBOARD CHART ACHIEVEMENT AWARD PRESENTED BY SAMSUNG GALAXY (FAN-VOTED)
Iggy Azalea
Taylor Swift -- WINNER
Meghan Trainor

TOP TOURING ARTIST
Lady Gaga
One Direction -- WINNER
Katy Perry
The Rolling Stones
Justin Timberlake

TOP FEMALE ARTIST
Iggy Azalea
Ariana Grande
Katy Perry
Taylor Swift -- WINNER
Meghan Trainor

TOP RADIO SONG
John Legend, "All of Me"-- WINNER
MAGIC!, "Rude"
Nico & Vinz, "Am I Wrong"
Sam Smith, "Stay With Me"
Pharrell Williams, "Happy

TOP MALE ARTIST
Drake
Pharrell Williams
Ed Sheeran
Sam Smith -- WINNER
​Justin Timberlake

TOP RAP SONG
Iggy Azalea feat. Charli XCX, "Fancy"-- WINNER
Iggy Azalea feat. Rita Ora, "Black Widow"
Big Sean feat. E-40, "I Don't F--- With You"
Nicki Minaj, "Anaconda"
Bobby Shmurda, "Hot Boy"

TOP BILLBOARD 200 ALBUM
Maroon 5, V
Pentatonix, That's Christmas to Me
Ed Sheeran, x
Sam Smith, In the Lonely Hour
Taylor Swift, 1989 -- WINNER

TOP DUO/GROUP
5 Seconds of Summer
Florida Georgia Line
MAGIC!
Maroon 5
One Direction -- WINNER

TOP NEW ARTIST
5 Seconds of Summer
Iggy Azalea
Hozier
Sam Smith -- WINNER
Meghan Trainor

TOP BILLBOARD 200 ARTIST
One Direction
Pentatonix
Ed Sheeran
Sam Smith
Taylor Swift -- WINNER

TOP HOT 100 ARTIST
Iggy Azalea
Ariana Grande
Sam Smith
Taylor Swift -- WINNER
Meghan Trainor

TOP DIGITAL SONGS ARTIST
Iggy Azalea
Ed Sheeran
Sam Smith
Taylor Swift -- WINNER
Meghan Trainor

TOP RADIO SONGS ARTIST
John Legend
Maroon 5
Ed Sheeran
Sam Smith -- WINNER
Taylor Swift

TOP SOCIAL ARTIST
Justin Bieber -- WINNER
Miley Cyrus
Selena Gomez
Ariana Grande
Taylor Swift

TOP STREAMING ARTIST
Iggy Azalea -- WINNER
Ariana Grande
Nicki Minaj
Taylor Swift
Meghan Trainor

TOP R&B ARTIST
Beyoncé
Chris Brown
John Legend
Trey Songz
Pharrell Williams -- WINNER

TOP RAP ARTIST
Iggy Azalea -- WINNER
J. Cole
Drake
Nicki Minaj
Rae Sremmurd

TOP ROCK ARTIST
Bastille
Coldplay
Fall Out Boy
Hozier -- WINNER
Lorde

TOP LATIN ARTIST
J Balvin
Juan Gabriel
Enrique Iglesias
Prince Royce
Romeo Santos -- WINNER

TOP DANCE/ELECTRONIC ARTIST
Avicii
Clean Bandit
Disclosure
Calvin Harris -- WINNER
Lindsey Stirling

TOP CHRISTIAN ARTIST
Casting Crowns
Hillsong United -- WINNER
Lecrae
MercyMe
Newsboys

TOP SOUNDTRACK
The Fault in Our Stars
Fifty Shades of Grey

Frozen -- WINNER
Guardians of the Galaxy: Awesome Mix: Vol. 1
Into the Woods

TOP R&B ALBUM
Beyoncé, Beyoncé
Chris Brown, X
Michael Jackson, Xscape
John Legend, Love in the Future
Pharrell Williams, G I R L -- WINNER

TOP RAP ALBUM
J. Cole, 2014 Forest Hills Drive-- WINNER
Drake, If You're Reading This It's Too Late
Nicki Minaj, The Pinkprint
Iggy Azalea, The New Classic
Eminem, The Marshall Mathers LP 2

TOP COUNTRY ALBUM
Jason Aldean, Old Boots, New Dirt -- WINNER
Garth Brooks, Man Against Machine
Luke Bryan, Crash My Party
Brantley Gilbert, Just As I Am
Miranda Lambert, Platinum

TOP ROCK ALBUM
AC/DC, Rock or Bust
The Black Keys, Turn Blue
Coldplay, Ghost Stories -- WINNER
Hozier, Hozier
Lorde, Pure Heroine

TOP LATIN ALBUM
Juan Gabriel, Los Dúo
Enrique Iglesias, Sex and Love-- WINNER
Romeo Santos, Formula: Vol. 2
Santana, Corazon
Marc Anthony, 3.0

TOP DANCE/ELECTRONIC ALBUM
Avicii, True
Disclosure, Settle
Calvin Harris, Motion
Skrillex, Recess
Lindsey Stirling, Shatter Me-- WINNER

TOP CHRISTIAN ALBUM
Lecrae, Anomaly -- WINNER
Casting Crowns, Thrive
MercyMe, Welcome to the New
NEEDTOBREATHE, Rivers in the Wasteland
Chris Tomlin, Love Ran Red

TOP HOT 100 SONG
Iggy Azalea feat. Charli XCX, "Fancy"
John Legend, "All of Me"
Sam Smith, "Stay With Me"
Taylor Swift, "Shake It Off"
Meghan Trainor, "All About That Bass"

TOP DIGITAL SONG
Mark Ronson feat. Bruno Mars, "Uptown Funk!"
Sam Smith, "Stay With Me"
Taylor Swift, "Shake It Off"
Meghan Trainor, "All About That Bass"-- WINNER
Pharrell Williams, "Happy

TOP STREAMING SONG (AUDIO)
Iggy Azalea feat. Charli XCX, "Fancy"
Hozier, "Take Me to Church"
John Legend, "All of Me"-- WINNER
Sam Smith, "Stay With Me"
Tove Lo, "Habits (Stay High)"

TOP STREAMING SONG (VIDEO)
Idina Menzel, "Let It Go"
Bobby Shmurda, "Hot Boy"
Taylor Swift, "Blank Space"
Taylor Swift, "Shake It Off"-- WINNER
Meghan Trainor, "All About That Bass"

TOP R&B SONG
Chris Brown feat. Lil Wayne, French Montana, Too $hort & Tyga, "Loyal"
Jason Derulo feat. 2 Chainz, "Talk Dirty"
Jeremih feat. YG, "Don't Tell 'Em"
John Legend, "All of Me"
Pharrell Williams, "Happy"-- WINNER

TOP COUNTRY SONG
Jason Aldean, "Burnin' It Down" -- WINNER
Luke Bryan, "Play It Again"
Sam Hunt, "Leave the Night On"
Florida Georgia Line feat. Luke Bryan, "This Is How We Roll"
Florida Georgia Line, "Dirt"

TOP ROCK SONG
Bastille, "Pompeii"
Coldplay, "A Sky Full of Stars"
Fall Out Boy, "Centuries"
Hozier, "Take Me to Church"-- WINNER
Paramore, "Ain't It Fun"

TOP LATIN SONG
J Balvin feat. Farruko, "6 AM"
Enrique Iglesias feat.Descemer Bueno & Gente de Zona, "Bailando"-- WINNER
Romeo Santos, "Eres Mía"
Romeo Santos feat. Drake, "Odio"
Romeo Santos, "Propuesta Indecente"

TOP DANCE/ELECTRONIC SONG
Clean Bandit feat. Jess Glynne, "Rather Be"
Disclosure feat. Sam Smith, "Latch"
DJ Snake & Lil Jon, "Turn Down For What"-- WINNER
Ariana Grande feat. Zedd, "Break Free"
Calvin Harris, "Summer"

TOP CHRISTIAN SONG
Francesca Battistelli, "He Knows My Name"
Hillsong United, "Oceans (Where Feet May Fail)"
MercyMe, "Greater"
Newsboys, "We Believe"
Carrie Underwood, "Something in the Water"-- WINNER





ICFF warms up with Midnight Sun

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Story & photo by Allan Tong 


The Italian Contemporary Film Festival runs June 11-19, but it's already screening to students and teaching film literacy.

On May 22, the ICFF presented the Canadian premiere ofMidnight Sun (Il Mio Amico Nanuk), starring Toronto’s own Dakota Goyo who plays a boy living in icy northern Canada and befriends a young polar bear.

It's an entertaining action film directed by Roger Spottiswoode (Tomorrow Never Dies, Shake Hands With The Devil) that amused the busloads of local Catholic schoolchildren who attended the screening at the TIFF Bell Lightbox. Before the screening, Goyo warned the children that young bears aren't as friendly as the one he befriended in this film. Also, a film educator briefly lectured the students about paying attention to the film's story, acting and lighting in a crash course on film literacy.


Steam Whistle raises a glass to 15 years of brewing

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Anyone Torontonian who's attended a film festival or arts event over the past decade has likely seen the green Steam Whistle logo. The reason is that Steam Whistle has sponsored countless such events. This past weekend, Steam Whistle celebrated its own event, namely its15th anniversary, at its brewery nestled in the historic Roundhouse behind the SkyDome.


On Friday afternoon, Steam Whistle offered free tours of its facilities and poured samples of its golden beer. It was an afternoon of live bands and a sun-soaked patio filled with Blue Jays fans enjoying some suds before the Mariners game, perfectly timed for a sunny spring day. Tours and events continued over the weekend.


We say thanks to Steam Whistle for supporting local film over the years.

Story & photos by Allan Tong

TIDFAF celebrates 5 years of 'deaf cinema'

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story & photo by Allan Tong

This weekend, the Toronto International Deaf Film and Arts Festival (TIDFAF) celebrates five years of “deaf cinema” by screening the films of Canadian and international artists.

“The festival is important to the city as it's part of the diversity and international representation of films by deaf and hard of hearing artists and filmmakers that's not often seen in the mainstream film festivals” says festival director Catherine MacKinnon.  “These filmmakers films deserved to be seen and heard.”


Last night's opening gala at The Royal Theatre (608 College St.) saw the premiere of the German documentary, Die Mauer (The Wall), as co-presented with the Goethe-Institut. Co-directors (above) Mark Berry and Benedikt J. Feldmann flew in from New Zealand and Russia, respectively.

TIDFAF runs through Sunday, and the full schedule can be found here.

Italian fest opens with biopic of Oriana Fallaci

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by Allan Tong

This year's Italian Contemporary Film Festival (ICFF) opens Thursday night in Toronto and Vaughan with L'Oriana, a biopic about Oriana Fallaci, one of the most fearless and celebrated journalists of the 20th century.

The Florence-born Fallaci was known as a formidable interviewer, getting heavyweights such as Henry Kissinger to admit Vietnam was a "useless war" and having the gall to calls Iran's Ayatollah Khomeini a "tyrant" to his face.

Fallaci was a passionate personality who survived war zones and covered world politics with an intensity that this film, directed by Marco Turco, succeeds in capturing. Fallaci is a natural subject for the silver screen. Her words spring to life on screen and its through her words that her fiery intellect shines like a laser beam. Vittoria Puccini nicely balances Fallaci's ferocious drive and compassion. 

L'Oriana is not a perfect film. It suffers from moments of melodrama and the Vietnam war sequence look too glossy and not gritty enough.  Also, a subplot involving a worshipping, young journalist who meets her idol, the aging Fallaci, feels unncessary in telling her life story.
It needn't. The film belongs solely to Ms. Fallaci, and L'Oriana is a good choice to open this year's ICFF 

ICFF runs June 11-19 in downtown Toronto, Vaughan, Montreal and Quebec City. Check here this week for more film reviews.


ICFF opens in grand style in Toronto

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by Allan Tong
 
You gotta hand it to the Italians: They know how to party.

The Italian Contemporary Film Festival opened in Toronto last night with a screening of the biopic, L'Oriana, about legendary journalist Oriana Fallaci (review here) at the TIFF Bell Lightbox, then a gala party at Roy Thompson Hall.

Savoury samples, including pork sandwiches, pizza and lobster rolls, were served indoors while the outdoor patio hosted a live band and a dizzying array of Italian sweets from the likes of The Big Cannoli, Exquisitely Yours and Dolcini that would kill any diabetic.

Screenings continue all weekend in Toronto, Vaughan, Montreal and Quebec City. Check back here for reviews.



Italian Contemporary Film Festival roundup

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by Allan Tong
 
The Italian Contemporary Film Festival (ICFF) is enjoying one of its stronger years. From drama to documentary, the films in 2015 are consistently rewarding. Though I haven't seen a terrible movie yet,  I also haven't found a superb one either. To speak in baseball terms, the ICFF films are hitting singles and doubles, but no homers yet. Here are a few to consider this weekend at screenings in Toronto, Vaughan, Montreal and Quebec City. (Check here for screening times in your city.)

Midnight Sun is an entertaining family film about a boy who befriends a lost cub in frigid northern Canada. Think boy-and-his-dog adventure, except the dog is a polar bear and the terrain is covered in snow and ice flows. It stars Toronto's own Dakota Goyo.

Sin, redemption, family. These are well-worn themes that drive the thriller Perez. It's about an incorruptible lawyer from Naples who defends underdogs until his daughter hooks up with a mobster. Not a smart move. Without spoiling the film, let's say that daddy lawyer Perez has to compromise his ethics by striking a deal with the mobster's boss to help him recover some precious diamonds. Perez is slick and stylish, and lead Luca Zingaretti is a strong, stoic presence as Perez. However, as mentioned above the movie doesn't tread new ground.


In contrast, A Golden Boyis complete surprise. It's a character drama about frustrated writer, Davide, who restores his father's tattered legacy. Papa was a screenwriter of trashy films, but a book publisher (Sharon Stone, dubbed in Italian) wants to release his autobiography. Davide wants to connect with his father by finding the current draft of his autobiography and finish it himself. Already, a dour fellow, Davide darkens further during the writing process and, to make things worse, he falls for the bombshell publisher who happens to be married. Pupi Avati directs A Golden Boy with a sure hand and the movie is darkly compelling, but Davide is hard to like. A strong drama, but not to everyone's taste.

Much sunnier is So Far So Good a comedy about five young roommates who spend their last weekend together partying, reminiscing and pondering the future after they leave their nest. There's nothing bad about this film per se, but there's nothing memorable about it either. The dramatic stakes are never set high enough to test the characters. A nice film, but I expected something meatier.

The same can be said of the documentary Bella Vita which profiles Chris Del Moro, an American surfer who takes a pilgrimage to his ancestral homeland, Italy, where he and his friends explore the burgeoning surf culture there. The film is beautifully shot and well-edited, but it doesn't cut deep. No crisis nor urgent issue to push the story forward. It's a snapshot of surfing in Italy, and at 82 minutes runs a little long.


Barolo Boysis another documentary that explores a more-established part of Italian culture: wine. In the late-20thcentury the wines made in Langhe in northwestern Italy were among the most celebrated and highly priced in America. They weren't related by blood, but the Barolo Boys were a loose collection of winemakers from Langhe who revolutionized stodgy, traditional winemaking in Italy. Great story, but Barolo Boys doesn't quite pull off a great film. The narration is intrusive and annoying, and the storytelling relies too much on talking-head interviews and not enough visuals. The only character we really get to know, ironically, is the lone female in the Barolo Boys, while the others are kept vague. Emotionally, the audience doesn't connect these character. The dramatic high points in the Barolo story are muted and could've been played up. As mentioned, the story is exciting, but the treatment here undersells it.


One of the better films of ICFF is Just Say Yes, a straightforward documentary about two women getting married. One is Swedish and the other is Italian. Making life interesting for them is the fact that Italy doesn't permit gay unions, and this film is a critique of that law and social prejudice. Maria Pecchiolichronicles the weeks leading up to the big moment, capturing candid interviews and stitching them together with well-edited and economical musical transitions. Just Say Yes, thankfully, doesn't preach. It just tells it like it is, and this approach works just fine.

The ICFF runs June 11-19.


Wine and movies: a Niagara Integrated Film Festival preview

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Watching Kajutijuq: The Spirit That Comes in the cellar
by Allan Tong
 
TIFF co-founder Bill Marshall hosts the second edition of the Niagara Integrated Film Festival (NIFF) from June 18-21 by pairing films, gourmet food and the peninsula's finer wines under summer skies.

It's a grand idea that has worked in other wine regions around the world by allowing audiences to enjoy choice vintages and quality world cinema at the same time. Events fall into a few categories:

The $159 Ultimate Gala Experience is the most luxurious, offering a film screening at a winery such as Jackson-Triggs, which will serve a five-course meal, specially chosen wines and a glass of wine during the film. The ticket also gets you into the after-party.

Also for $159 is the Full Filmalicious Experience which offers nearly the same package as the Gala, minus the after-party, and featurs a three-course meal with paired wines. Wineries include Peller Estates and Redstone.

Filmalicious screenings that show movies without the meal, though include a glass of wine, cost $29. Food and drink are available at additional cost. Wineries include Pelham Family Estate and Southbrook.

Traditional film screenings that exclude wine and food take place in Niagara Falls' Seneca Queen Theatre (which has a licensed cash bar) and St. Catharines' Landmark Cinemas–Pen Centre.


For those who want to tour several Niagara wineries, there is a mini-bus that will take you to three wineries in four-and-a-half hours. At $89, the Film Feast ferries wine lovers around to sample wines which are paired with hors d’oeuvres and Canadian short films.

Brie cheese, grand padano, aged cheddar, capicola and prosciutto
A sample itinerary includes PondView Winery (above) where brie is paired with a delightful Harmony white, and prosciutto matched with a supple Harmony red. A chardonnay and cabernet merlot are also poured. The tasting takes place on the relaxing patio overlooking Pondview's rows of grapvines.

Harmony Red by PondView
Glass in hand, visitors then watch short films in the chilly cellar surrounded by barrels (pictured at the top). Blankets are available to keep movie-goers warm and they'll need them for Scott Brachmayer's Kajutijuq: The Spirit That Comes. It's a rare and effective psychological Arctic thriller.

Pairing wine and food on PondView's patio

Visitors nestle in the cozy, warm viewing room in the lower level of the Konzelmann Estate Winery. Here, you nibble on a mini-chucken caesar on frico, smoked salmon blini and finish with a mascarpone-and-strawberry muffin (below) over a glass of Konzelmann's smooth pinot noir. A guide walks visitors through the tasting process and explain the various pairings, which were on-the-nose. Of the short films shown here, Scott Weber's The Timekeeper is one of the best at NIFF, telling a poignant Twilight Zone-like fantasy about a watchmaker who has the power to sell people more time to live.


Each winery guides visitors and answers questions at tastings

Each visitor on the tour enjoys a glass of Konzelmann's pinot noir


The last stop is Pillitteri Estates where the tasting and screening takes place in a wedding banquet hall. The TV screen where the short films are shown are tricky to watch here given the size of this space, so it's advised you take a seat up close. 

 
The pairings: thyme- and butter-tossed mushrooms en croute with goats cheese and crisps matched with a fine pinot gris; beef tenderloin with fingerling sea salt frites and saffron aioli paired with a hearty cab merlot; and for dessert, confit duck  cornish pasty with pickled blue cheese that was married with Pillitteri's reknown Vidal Ice Wine.


The presentation and organization is professional throughout the tour, though like many bus tours it feels a little rushed. Each stop at each winery last 50 minutes, including the viewing of two short films. Perhaps there should be a little more time to take photos and snap up something from the shop. However, that is a minor quibble for an afternoon of wine, gourmet fine and fine cinema.





NXNE presents Canadian premiere of Amy biodoc

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by Allan Tong

From live bands to comedy, NXNE offers a wide array of things of hear and see from June 17-21, but one highlight is the Canadian premiere of Amy.

Directed by Asif Kapadia, Amy, is a powerful documentary covering the life and demise of Amy Winehouse, the London soul and jazz singer who died of alcoholism after a brief, but stunning career. There have been several TV documentaries that have sensationalized Winehouse's well-known battles with booze and heroin, but Kapadia's actually cuts deep and presents the whole story.

The film is largely told by Winehouse on screen using candid home movies and audio interviews, and through childhood friends and associates such as her bodyguard, drug counsellor and ex-lovers. Mitch Winehouse, her father, comes off as exploitive, as does her last manager, but the true villain is Amy herself who self-destructed in a slow suicide.

Amy comes off as a tragedy. It does not exploit its subject but rather it deepens our understanding of a rare talent, but one that was too weak to survive the accolades that those gifts bestowed.

Polaris Music Prize announces 2015 long list

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The 2015 Polaris Music Prize Long List has been announced.

The 40 Long List albums were unveiled earlier today at The Carleton in Halifax, NS in association with Halifax Pop Explosion, with the assistance of the Nova Scotia Department of Communities, Culture and Heritage, the City of Halifax, and the Downtown Halifax Business Commission.

In total 197 titles made the first ballots of the 196 member jury.

This year’s Long List features 18 returning and 22 new nominees, although four of those new Polaris people have been nominated for previous projects: Colin Stetson and Sarah Neufeld for his solo albums and her work with Arcade Fire respectively, Young Guv’s Ben Cook was previously nominated with Fucked Up, members of Viet Cong were previously nominated as Women, and Siskiyou used to play with Great Lake Swimmers.

A number of previous Polaris champions are also represented among the nominees, including Caribou, Patrick Watson, Louis-Jean Cormier (Karkwa), Young Guv (Fucked Up) and Sarah Neufeld (Arcade Fire).

Three separate acts have now been nominated for the Polaris Prize on four separate occasions: Patrick Watson (2007, 2009, 2012, 2015), Joel Plaskett (2007, 2009, 2012, 2015) and The New Pornographers (2006, 2008, 2010, 2015).

Additionally, Native North America (Vol. 1): Aboriginal Folk, Rock, And Country 1966–1985’s inclusion marks the first time a curated collection of various artists has made the Long List.

The event was hosted by Polaris Founder and Executive Director Steve Jordan and featured Halifax mayor Mike Savage and previous nominees Elizabeth Shepherd, Old Man Luedecke and Whitehorse’s Luke Doucet as presenters. Surprise musical guest Joel Plaskett was also on hand to perform songs from his 2015 Long-Listed album The Park Avenue Sobriety Test. The event was webcast live by BRBR TFO.

The scrutinizing of the Long List will get started right away as the good folks at ACTRA RACS will host a Polaris Panel in Toronto on June 19 MC’d by Jordan and featuring Polaris jurors Sam Sutherland (AUX), Slava Pastuk (Noisey Canada), Tabassum Siddiqui (freelance) and Lana Gay (CBC Music). They’ll discuss how the Long List gets selected each year and (maybe) make some bold predictions for 2015.

The 10 album Short List will be announced on July 16 at The Carlu in Toronto. The Polaris Gala will be held on September 21 at The Carlu in Toronto and will be broadcast live via AUX TV.


The 2015 Polaris Music Prize Long List

Absolutely Free – Absolutely Free
The Acorn – Vieux Loup
Lydia Ainsworth – Right from Real
Alvvays – Alvvays
Arkells – High Noon
Rich Aucoin – Ephemeral
BADBADNOTGOOD & Ghostface Killah – Sour Soul
Bahamas – Bahamas Is Afie
The Barr Brothers – Sleeping Operator
Braids – Deep In The Iris
Steph Cameron – Sad-Eyed Lonesome Lady
Caribou – Our Love
Jazz Cartier – Marauding In Paradise
Jennifer Castle – Pink City
Cold Specks – Neuroplasticity
Louis-Jean Cormier – Les grandes artères
Death From Above 1979 – The Physical World
Drake – If You’re Reading This It’s Too Late
Frazey Ford – Indian Ocean
Tobias Jesso Jr. – Goon
BA Johnston – Shit Sucks
Pierre Kwenders – Le dernier empereur Bantou
Lee Harvey Osmond – Beautiful Scars
Jean Leloup – À Paradis City
METZ – II
Milk & Bone – Little Mourning
Tre Mission – Stigmata
The New Pornographers – Brill Bruisers
Joel Plaskett – The Park Avenue Sobriety Test
Buffy Sainte-Marie – Power in The Blood
Elizabeth Shepherd – The Signal
Siskiyou – Nervous
Colin Stetson and Sarah Neufeld – Never were the way she was
Various Artists – Native North America (Vol. 1): Aboriginal Folk, Rock, And Country 1966–1985
Viet Cong – Viet Cong
Patrick Watson – Love Songs For Robots
The Weather Station – Loyalty
White Lung – Deep Fantasy
Whitehorse – Leave No Bridge Unburned
Young Guv – Ripe 4 Luv

Italian Contemporary Film Festival roundup - the sequel

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by Allan Tong

The second half of the Italian Contemporary Film Festival offers some gems, with screenings in Toronto, Montreal, Quebec City and Vaughan through Friday.



Directed by Sydney Sibilia, I Can Quit Whenever I Wantis a lively comedy bout a university science researcher (Italian star Edoardo Leo, center above) who loses his job and turns to making a potent synthetic drug to get by. He hires his academic buddies, all of them underemployed now washing dishes or pumping gas but were once chemists and economists, to form his gang to sell his "non-illegal" drug to clubbers.

The comedy obviously tips its cap to Breaking Bad and Weeds, but fortunately steers clear of corniness and cuteness that plagues so many Italian comedies. Instead, the movie is a deadpan and surprisingly tongue-and-cheek critique of modern Italian society where even the most educated can't land a job. I Can Quit Whenever I Want, however, ends abruptly and the story could've used one last turn, but it's still a fun, entertaining romp.


L'Amore non perdonatranslates into "love does not forgive" though a more accurate title would be "love does not judge." Stegano Consiglio's touching drama is about a 60-year-old nurse who falls for an Arab man half her age. The couple battles prejudice and ridicule from her co-workers, his family in Algeria and her daughter. Ariane Ascaride is particularly fine as nurse Ariadne, exprssing her joy, jealousy and pathos as she's torn between the man she loves and her own family which doesn't understand her. The film is subtle but gets its point across about Italian prejudice towards Arabs. The romance is treated sensitively while overall the film rings true. It deserves more than one screening at ICFF.

Toronto's Sergio Navarretta previews his romantic-comedy, The Colossal Failure of the Modern Relationship at ICFF. I'll offer a more detailed review soon, but I can say here that it's a well-acted and nuanced study of two couples entwined one weekend at a Niagara winery. In an unusual move, Colossal will screen back-to-back in Toronto at ICFF then at the Niagara Integrated Film Festival.


11 Tips to Survive NXNE 2015

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by Allan Tong

It's June in Toronto which means that NXNE is here. The five-day music festival (Northby for you hipsters) showcases rock acts from across the world to fill clubs, large and small, across downtown Toronto. There are also record and comic book fairs, live comedy and film screenings including the Canadian premiere of the outstanding biodoc Amy(review here).
The $49 pass gets you into all the small clubs while the $60 pass gets you into virtually everything. (Read the fine print here). Meanwhile, The New Pornographers (above), Shad and legendary funk bassist Bootsy Collins (top) are throwing free shows at Yonge-Dundas Square, but go early because it will be packed (see below for more Northby tips).



Also free is a wonderful display of gig concerts at the NXNE festival hub at 120 Spadina Avenue just north of Queen Street West and within spitting distance of the Horseshoe Tavern and Cameron House.

If you've never done NXNE before, here are 11 down-and-dirty survival tips:

1) Plan ahead. Get the compact NXNE Gig Guide or app before you see any band and decide on a plan of attack. Select the acts you wish to see. Or, choose the geographic area you want to cover (i.e. Queen West). Or, select a genre (i.e. acoustic, death metal) and find those venues that specialize in the music you want to hear.

2) Pace yourself. Each act plays for roughly 40 minutes which gives you 20 minutes to hit the john and grab a drink, or run to the next venue. At all clubs, the first shows start at 7:00 pm and most final shows start at 1:00 am. That's seven bands in one night. A few clubs such as Sneaky Dee's will go as late as 3:00 am (starting time). If you the have the stamina, suffer insomnia or are unemployed, go for it.

3) Eat regularly. Standing in line, craning your neck to see the stage and texting in the dark burn up calories. Load up on veggies and protein before your first gig and lay off the fats which'll make you sleepy. You need stamina. Toronto's street food sucks due to hellish city hall bureaucracy, but there are reliable hot dog carts and pizza joints near every venue (my personal favourite is Baun Mi Boys at Spadina/Queen).

4) Wear comfortable shoes and clothing. Nobody cares about your Armani at NXNE. A t-shirt, jeans, sneakers and a cap (for rain) will do.

5) Pack water.  This can be tricky. Most doormen are smart, but a few meatheads may mistake your generic water bottle as a vessel for smuggling in booze. By law, bars must serve free water to patrons, but carrying your own saves you from body-surfing above the crowd. Clubs are saunas, so you need to need to hydrate. And no, I can't advocate you sneaking booze into any licensed establishment (though I can't deny it doesn't happen).

6) Use ear plugs.  You're not old, you're smart. You're hearing seven bands per night and you don't want your ears to explode. Protect them so you can enjoy music for a long, long time. Little-known fact: by law, clubs must supply free ear plugs to customers who ask for them. All you need is one pair for the entire festival.

7) Carry your stuff in a small bag, something you can throw over your shoulder to hold your snacks (i.e. crackers), water bottle and Gig Guide. Don't be a wanker and carry your laptop in a big-ass knapsack that will take up two bodies in a live club.

8) Cycle. If you're travelling between clubs or geographic areas, the best way to beat gnarly downtown Toronto gridlock are two wheels. Four means you have to find parking which is nearly impossible on a Friday or Saturday night. The TTC lies at the mercy of street traffic and can be unreliable, and besides you pay through the ass to use Toronto public transit. Or, walk (see #4).

9) Have a plan B. Your badge gives you priority over single-ticket holders, but most people will wear badges and popular acts will mean line-ups. You could miss half the set of a band. So, be ready to hop into another club if you don't want to wait.

10) Don't be afraid to walk out. A rule of thumb: give a band three songs or 10 minutes. If they don't grab you, split. Just make sure there's another venue nearby so you can catch the rest of another act.

11) For the free concerts at Yonge-DundasSquare: Come early. Wear super-comfy shoes, because there's zero seating. I personally hate watching shows at YDS, because only a giraffe can see the stage, and everywhere you turn you're bombarded by advertising. But, hey, it's free and Bootsy is playing.

Enjoy. Have fun. Love music.
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